Thus taking on a Comanche story was a great responsibility yet getting the chance to tell that story on Nakoda lands was also a rare and precious opportunity for her as well. For instance, Midthunder is descended from Lakota, Dakota, and Nakoda people. To achieve that effect onscreen was a learning process for many involved, including the stars. Watch it once in Comanche and once in English.” So I recommend that you watch it two times. Because this is the first time that a brand new feature film coming out has ever been in my language in Comanche, and this is also a first for Native people because this is the first time a brand new movie is out in a Native language. When we ask Myers if she thinks that is the definitive cut of the movie, she says, “I think, for me, yes absolutely. Additionally, there are a handful of scenes filmed in actual Comanche.* (and Disney+ users in the UK) will feature all of the lead actors speaking in English with smatterings of actual Comanche (as well as some French), there is a version of the film where all the English-speaking scenes have been dubbed by their actors in Comanche, including Midthunder and Dakota Beavers, who plays Naru’s courageous brother Taabe. While the default version that will be offered to Hulu users in the U.S. You see what that life is like and what the Comanche world is.” This also ties into one of the most intriguing aspects of the film: There will be a second version of Prey available on Hulu exclusively in the Comanche language. “So it’s pretty amazing to bring people to see just that. “For me, this is amazing because we always wonder what life was like on the Great Plains back in the 1700s,” Myers beams after entering the Den of Geek studio at San Diego Comic-Con. As a woman of Comanche descent, she sees Prey as a unique and golden opportunity. So it was sort of a combination of all those things that wound up as the idea of this film.” And while Trachtenberg and his screenwriter Patrick Aison did not come from Native backgrounds, producer Jhane Myers does. “I thought about how Native Americans, and specifically Comanche, are so often relegated to playing sidekicks or the villains,” Trachtenberg says, “never the hero. However, unlike recent, stumbling attempts to relaunch the Predator franchise, Prey also succeeds by mirroring a real culture and real world that has long been undervalued onscreen. The film is obviously a product of science fiction and fantasy, complete with invisible cloaks and the neon green blood that now looks like a historical relic itself, albeit from the 1980s. She gets that chance (and much more) when a familiar-looking alien descends from the sky to begin his own hunt. It is set 300 years ago, before much of the North American continent had been colonized by European settlers, and tells the story of Naru (Amber Midthunder), a young Comanche woman who is a gifted hunter and tracker that wants to break gender norms in her community and prove she is likewise a great warrior. Shot in roughly the same area that Alejandro González Iñárritu filmed much of The Revenant-and similarly reliant on natural light for most scenes- Prey has an elemental and deliberately antiquated aesthetic. They were, after all, about to make the first good Predator movie in nearly 40 years-and perhaps more importantly a movie that took Indigenous and First People’s experiences seriously.įilming in the Stoney Nakoda Nation, which is located near Calgary in Canada, Prey looks far removed from our modern expectations for Hollywood franchises. It was a private blessing on the production it was also the beginning of a journey for Trachtenberg’s team. “It was just in an office, and it was a very moving experience where everyone approached the elders and had very specific secret things happen that not everyone could hear. “It was profound in that it wasn’t out in the camp we had set up,” Trachtenberg explains to Den of Geek. Rather than occurring out on location, and in the wilderness where much of his upcoming Predator reimagining, Prey, takes place, it was during the day before principal photography started on Stoney Nakoda Nation lands that a small group of filmmakers were invited to participate in a ritual with local Indigenous leaders. The first tribal pipe ceremony that filmmaker Dan Trachtenberg participated in took him by surprise.
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